That Drifting Excrement Was Way Too Symbolic! These Are the Television Disappointments of the Year.

As we consider the TV landscape of the past year, a handful of series emerge not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly bad docuseries, here are the productions that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with woeful scripts, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series started, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner announced this would be the last series. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this show's issues. The subject of a very rare zero star assessment, it was hard to know where to begin listing the problems. The hilariously leaden writing? The tedious veneration of wealth and consumption? The almost deliberate procession of tropes? Performances so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be saved for the people who have had to endure proximity with this charming but flippant egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were many other problems. Mainly that it was just really boring; a conflict over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Given the degree to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into twee lifestyle as intentional provocations. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with delusions of grandeur; a parade of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was akin to consuming a sales catalogue. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart recruitment of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about government agencies targeting – and eliminating – academics frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Kimberly Smith
Kimberly Smith

A technology strategist with over a decade of experience in IT consulting and digital transformation projects across Europe and Asia.